Monday, May 24, 2010

Lost-free links

---the 21 most insane movie shoots

---The Cahiers du Cinemart trailer (thanks to @cinebeats)

---places to avoid

---Breathless returns

---social network overkill fatigue from The Onion:

"As you've no doubt guessed from reading a dozen similar articles in The Washington Post, now's the part of our "trend piece" where we quote an industry expert like Leonard Steinberg, a Boston University communications professor and specialist in his field who remarks in a rather defeated tone that Foursquare represents a revolutionary new way for businesses and customers to interact.

"Through its competitive elements like badges and points, Foursquare helps generate brand loyalty," said the Ph.D.-holding individual, whose decades in higher education were basically shit upon by our inane questions about various bits of Foursquare ephemera. "It's a unique and transformative social networking tool."

"Can I go now?" he added.

Although it recently hit the million-user mark, Foursquare has yet to approach the vast subscriber base of Facebook and Twitter. But that all could change as people become increasingly reliant on the…okay, here, here, let me sum up this whole "news" story for you: Aging, scared newspapermen throw themselves at the latest mobile technology trend in a humiliatingly futile attempt to remain relevant."

---Dawn of the Dreadfuls and Bronte Sisters Power Dolls

---problems with journalists seeking attention:

"What I sensed was that while the laws of supply and demand governed everything on earth, the easy money was in demand—manufacturing it, manipulating it, sending it forth to multiply, etc. As a rule of thumb (and with some notable exceptions), the profit margins you could achieve selling a good or service were directly correlated to the total idiocy and/or moral bankruptcy of the demand you drummed up for it.

This was easier to grasp if you were in the business of peddling heroin, Internet stocks, or celebrity gossip; journalists, on the other hand, were at a conspicuous disadvantage when it came to understanding their role in this equation. In the past, newspapers had made respectable margins selling a non-inane product largely because people had little choice but to herald their sublets and white sales alongside the journalists’ tales of human suffering/corporate corruption/government ineptitude. The times were prosperous enough that much of the print media even chose to abstain from taking a share of the demand-creation campaigns of liquor and tobacco brands in the seventies and eighties. Indeed, journalism, it went without saying, was about delivering important information about the world—information people (and democracy!) needed, whether they knew it or not. That journalism’s ability to deliver that information—to fill that need—ultimately depended, to an unsettling degree, on the ability to create artificial demand for a lot of stuff that people didn’t actually need—luxury condos, ergonomically correct airplane seats, the latest celebrity-endorsed scent—was an afterthought at best, at least in the newsroom." More on this topic.

---Helping Johnny Remember, a freaked out 1960s PSA

---50 beautiful movie posters

---"The Death of the Open Web":

"But a kind of virtual redlining is now under way. The Webtropolis is being stratified. Even if, like most people, you still surf the Web on a desktop or laptop, you will have noticed pay walls, invitation-only clubs, subscription programs, privacy settings and other ways of creating tiers of access. All these things make spaces feel “safe” — not only from viruses, instability, unwanted light and sound, unrequested porn, sponsored links and pop-up ads, but also from crude design, wayward and unregistered commenters and the eccentric ­voices and images that make the Web constantly surprising, challenging and enlightening.

When a wall goes up, the space you have to pay to visit must, to justify the price, be nicer than the free ones. The catchphrase for software developers is “a better experience.” Behind pay walls like the ones on Honolulu Civil Beat, the new venture by the eBay founder Pierre Omidyar, and Rupert Murdoch’s Times of London, production values surge. Cool software greets the paying lady and gentleman; they get concierge service, perks. Web stations with entrance fees are more like boutiques than bazaars.

The far more significant development, however, is that many people are on their way to quitting the open Web entirely. That’s what the 50 million or so users of the iPhone and iPad are in position to do. By choosing machines that come to life only when tricked out with apps from the App Store, users of Apple’s radical mobile devices increasingly commit themselves to a more remote and inevitably antagonistic relationship with the Web. Apple rigorously vets every app and takes 30 percent of all sales; the free content and energy of the Web does not meet the refined standards set by the App Store. For example, the Weather Channel Max app, which turns the weather into a thrilling interactive movie, offers a superior experience of meteorology to that of Weather.com, which looks like a boring cluttered textbook: white space, columns of fussy bullet points and thumbnail images."


---Craig considers the making of The Graduate

---a history of the modern pixel

---some nice photos from Machete

---lastly, to get ready for Sex and the City 2, check out the product tie-ins and the quick version

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